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Sunday, November 22, 2026, 2 pm

Queer Feministisch Betrachtet
Terminal Piece
in German

Queer Feministisch Betrachtet | Terminal Piece

Queer Feministisch Betrachtet
Guided Tour in German with Artist and Art Educator Mikki Muhr
In the exhibition Terminal Piece
Sunday, November 22, 2026, 2 pm

 

 

This exhibition tour explores Kate Millett’s installation Terminal Piece (1972), a work created in response to a femicide that, as Millett later reflected, she found impossible to address through writing. Two years earlier, Kate Millett discussed in her book “Sexual Politics” sexuality as a political practice and demonstrated how literary works are contributing to normalization and legitimization of violence against women*. Drawing on additional works by Melanie Plunkett, Elisabeth Subrin, and Paul Thek, spanning from the 1960s to the present, the tour invites participants to reflect on key demands and shifts within queer-feminist, feminist, and queer theories and practices – through these artworks as well as through our own diverse experiences, readings, perspectives, desires, and social contexts. Content Note: During this exhibition tour, visitors will encounter discussions and visual materials addressing sexualized violence, abuse of power, and mental health related themes. Participants are encouraged to communicate their needs during the event and may take breaks or seek support at any time if required.

Information

  • The guided tours are conducted in German.
  • Meeting point: the mumok foyer.
  • In addition to your tour ticket, you will need a valid museum admission ticket or an annual pass.
  • Please note that purchased tickets cannot be cancelled or exchanged.
Schwarz-weiße Zeichnung auf Papier mit handschriftlichen Begriffen und Skizzen, darunter ein aufgeschlagenes Buch, eine Treppe und eine pflanzenähnliche Form; im Zentrum stehen die Wörter „KANON“ und „SWALLOW“, umgeben von weiteren Namen, Jahreszahlen und Notizen. / Black-and-white drawing on paper featuring handwritten words and sketches, including an open book, a staircase, and a plant-like form; the words “KANON” and “SWALLOW” appear prominently in the center, surrounded by additional names, dates, and notes.
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