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June 20 to November 1, 2026

Tolia Astakhishvili
Figure of the Child

Tolia Astakhishvili

In keeping with a recurring motif in the work of artist Tolia Astakhishvili, the artist’s first solo museum exhibition will proceed from the concept of the “figure of the child.” In this context, the child embodies both a high degree of intellectual and creative autonomy and a profound dependence on others. Accordingly, Astakhishvili focuses on the experience of art itself, extending it to movement and touch and breaking with the conventions of museum presentation. The notion of the “first encounter,” as children experience it when initially perceiving a phenomenon, serves here as a key to a new kind of experience. Astakhishvili’s extensive body of work is characterized by a keen sensitivity to spaces as multi-layered entities shaped by all the people who experience them. The artist works across sculpture, sound, video, architectural elements, painting, and drawing, combining these approaches in large-scale installations. 

Figure of the Child has been developed in dialogue with numerous collaborators, mumok’s collection, and external loans, including works by Vito Acconci, Zurab Astakhishvili, Aurel, Ştefan Bertalan, Karl Blossfeldt, Kaucyila Brooke, Veronica Brovall, Günter Brus, Elene Chantladze, James Ensor, Nan Goldin, Yaryna Fedoriv, Irma Gubeladze, Ull Hohn, Joe Jones, Paul Joostens, Louise Lawler, Charlotte Moorman & Nam June Paik, Dylan Peirce, Pablo Picasso, Charlotte Posenenske, Alexandra Ranner, James Richards, Irena Rosc, Medardo Rosso, Dieter Roth, Maka Sanadze, Stefan Wewerka and Heimo Zobernig.

The exhibition opening is accompanied by the publication of the first of three artist’s books on Tolia Astakhishvili’s Figure of the Child, with texts by Kirsty Bell, Fatima Hellberg and Liesl Ujvary, designed in collaboration with Syndicat. 

Tolia Astakhishvili (born 1974 in Tbilisi, Georgia) lives and works in Tbilisi and Berlin. 

Curated by Fatima Hellberg and Manuela Ammer

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Tolia Astakhishvili, Singing out of doors, 2026
Tolia Astakhishvili
Tolia Astakhishvili

Detail of: Singing out of doors, 2026
construction material, woven polypyrene, aluminum foil, found objects, light 
1024.3 x 1055.6 x 237.3 cm
Courtesy the artist, LC Queisser and Emalin.
Photo: Tolia Astakhishvili Studio

Detail of: Singing out of doors, 2026
construction material, woven polypyrene, aluminum foil, found objects, light 
1024.3 x 1055.6 x 237.3 cm
Courtesy the artist, LC Queisser and Emalin.
Photo: Tolia Astakhishvili Studio

Tolia Astakhishvili, Singing out of doors, 2026 und my emptiness, 2025–26
Tolia Astakhishvili
Tolia Astakhishvili

Singing out of doors, 2026
construction material, woven polypyrene, aluminum foil, found objects, light 
1024.3 x 1055.6 x 237.3 cm
my emptiness, 2025–26
construction material, excavated pipes, bathtub, shower tray, mirrors, light
482.5 x 643 x 431 cm
Courtesy the artist, LC Queisser and Emalin.
Photo: Tolia Astakhishvili Studio

Singing out of doors, 2026
construction material, woven polypyrene, aluminum foil, found objects, light 
1024.3 x 1055.6 x 237.3 cm
my emptiness, 2025–26
construction material, excavated pipes, bathtub, shower tray, mirrors, light
482.5 x 643 x 431 cm
Courtesy the artist, LC Queisser and Emalin.
Photo: Tolia Astakhishvili Studio

Tolia Astakhishvili, Detail of: Singing out of doors, 2026
Tolia Astakhishvili
Tolia Astakhishvili

Detail of: Singing out of doors, 2026
construction material, woven polypyrene, aluminum foil, found objects, light 
1024.3 x 1055.6 x 237.3 cm
Courtesy the artist, LC Queisser and Emalin.
Photo: Tolia Astakhishvili Studio

Detail of: Singing out of doors, 2026
construction material, woven polypyrene, aluminum foil, found objects, light 
1024.3 x 1055.6 x 237.3 cm
Courtesy the artist, LC Queisser and Emalin.
Photo: Tolia Astakhishvili Studio

Tolia Astakhishvili, Detail of: There are always more things that are true somehow at once I, 2026
Tolia Astakhishvili
Tolia Astakhishvili

Tolia Astakhishvili
Detail of: There are always more things that are true somehow at once I, 2026 
wood, concrete, light, found objects
504 x 140 x 70 cm
Courtesy the artist, LC Queisser and Emalin.
Photo: Tolia Astakhishvili Studio

Tolia Astakhishvili
Detail of: There are always more things that are true somehow at once I, 2026 
wood, concrete, light, found objects
504 x 140 x 70 cm
Courtesy the artist, LC Queisser and Emalin.
Photo: Tolia Astakhishvili Studio

Installation view Tolia Astakhishvili, Figure of the Child
Installation view
Installation view

Tolia Astakhishvili, Figure of the Child, 20. Juni bis 1. November 2026
Courtesy the artist, LC Queisser and Emalin.
Foto: Tolia Astakhishvili Studio

Tolia Astakhishvili, Figure of the Child, 20. Juni bis 1. November 2026
Courtesy the artist, LC Queisser and Emalin.
Foto: Tolia Astakhishvili Studio

Tolia Astakhishvili, my emptiness, 2025–26
Tolia Astakhishvili
Tolia Astakhishvili

my emptiness, 2025–26
construction material, excavated pipes, bathtub, shower tray, mirrors, light
482.5 x 643 x 431 cm
Courtesy the artist, LC Queisser and Emalin.
Photo: Tolia Astakhishvili Studio

my emptiness, 2025–26
construction material, excavated pipes, bathtub, shower tray, mirrors, light
482.5 x 643 x 431 cm
Courtesy the artist, LC Queisser and Emalin.
Photo: Tolia Astakhishvili Studio

Tolia Astakhishvili, Detail of: Placeholder II, 2025-26
Tolia Astakhishvili
Tolia Astakhishvili

Detail of: Placeholder II, 2025-26 
construction material, drawings, found images 
450 x 350 x 180 cm
Courtesy the artist, LC Queisser and Emalin.
Photo: Tolia Astakhishvili Studio

Detail of: Placeholder II, 2025-26 
construction material, drawings, found images 
450 x 350 x 180 cm
Courtesy the artist, LC Queisser and Emalin.
Photo: Tolia Astakhishvili Studio

Tolia Astakhishvili, Detail of: Placeholder II, 2025–26
Tolia Astakhishvili
Tolia Astakhishvili

Detail of: Placeholder II, 2025–26 
construction material, drawings, found images 
450 x 350 x 180 cm
Courtesy the artist, LC Queisser and Emalin.
Photo: Tolia Astakhishvili Studio

Detail of: Placeholder II, 2025–26 
construction material, drawings, found images 
450 x 350 x 180 cm
Courtesy the artist, LC Queisser and Emalin.
Photo: Tolia Astakhishvili Studio

Tolia Astakhishvili, Detail of: Placeholder II, 2025–26
Tolia Astakhishvili
Tolia Astakhishvili

Detail of: Placeholder II, 2025–26 
construction material, drawings, found images 
450 x 350 x 180 cm
Courtesy the artist, LC Queisser and Emalin.
Photo: Tolia Astakhishvili Studio

Detail of: Placeholder II, 2025–26 
construction material, drawings, found images 
450 x 350 x 180 cm
Courtesy the artist, LC Queisser and Emalin.
Photo: Tolia Astakhishvili Studio

Tolia Astakhishvili, Hut 1, 2026
Tolia Astakhishvili
Tolia Astakhishvili

Hut 1, 2026
with works by Yaryna Fedoriv, Irma Gubeladze, Elene Chantladze
184 x 85 x 165 cm
Courtesy the artist, LC Queisser and Emalin.
Photo: Tolia Astakhishvili Studio

Hut 1, 2026
with works by Yaryna Fedoriv, Irma Gubeladze, Elene Chantladze
184 x 85 x 165 cm
Courtesy the artist, LC Queisser and Emalin.
Photo: Tolia Astakhishvili Studio

Tolia Astakhishvili, A sound in the tunnel between the ears / dark days / when the others are within us
Tolia Astakhishvili
Tolia Astakhishvili

Detail of: A sound in the tunnel between the ears / dark days / when the others are within us, 2024–2026 
construction material, found objects
1020 x 150 x 136 cm
Courtesy the artist, LC Queisser and Emalin.
Photo: Tolia Astakhishvili Studio

Detail of: A sound in the tunnel between the ears / dark days / when the others are within us, 2024–2026 
construction material, found objects
1020 x 150 x 136 cm
Courtesy the artist, LC Queisser and Emalin.
Photo: Tolia Astakhishvili Studio

Tolia Astakhishvili, growing up, 2026
Tolia Astakhishvili
Tolia Astakhishvili

growing up, 2026 
canvas, ink
73 x 35 cm 
Courtesy the artist, LC Queisser and Emalin.
Photo: Tolia Astakhishvili Studio

growing up, 2026 
canvas, ink
73 x 35 cm 
Courtesy the artist, LC Queisser and Emalin.
Photo: Tolia Astakhishvili Studio

Tolia Astakhishvili, Detail of:  growing up, 2026
Tolia Astakhishvili
Tolia Astakhishvili

Detail of: growing up, 2026 
canvas, ink
73 x 35 cm 
Courtesy the artist, LC Queisser and Emalin.
Photo: Tolia Astakhishvili Studio

Detail of: growing up, 2026 
canvas, ink
73 x 35 cm 
Courtesy the artist, LC Queisser and Emalin.
Photo: Tolia Astakhishvili Studio

Tolia Astakhishvili, Detail of: all you can eat, 2026
Tolia Astakhishvili
Tolia Astakhishvili

Detail of: all you can eat, 2026
vitrine, drawings, vacuum formed PET-plastic, found images 
744 x 71.3 x 8.7 cm
Courtesy the artist, LC Queisser and Emalin.
Photo: Tolia Astakhishvili Studio

Detail of: all you can eat, 2026
vitrine, drawings, vacuum formed PET-plastic, found images 
744 x 71.3 x 8.7 cm
Courtesy the artist, LC Queisser and Emalin.
Photo: Tolia Astakhishvili Studio

Tolia Astakhishvili, Detail of: all you can eat, 2026
Tolia Astakhishvili
Tolia Astakhishvili

Tolia Astakhishvili
Detail of: all you can eat, 2026
vitrine, drawings, vacuum formed PET-plastic, found images 
744 x 71.3 x 8.7 cm
Courtesy the artist, LC Queisser and Emalin.
Photo: Tolia Astakhishvili Studio

Tolia Astakhishvili
Detail of: all you can eat, 2026
vitrine, drawings, vacuum formed PET-plastic, found images 
744 x 71.3 x 8.7 cm
Courtesy the artist, LC Queisser and Emalin.
Photo: Tolia Astakhishvili Studio

Tolia Astakhishvili, I would like to return and say I am back and it's nice on the other side, 2026
Tolia Astakhishvili
Tolia Astakhishvili

I would like to return and say I am back and it's nice on the other side, 2026
Collage with photos of Maka Sanadze, digital print on wood 
46.6 x 36.2 cm
© Tolia Astakhishvili

I would like to return and say I am back and it's nice on the other side, 2026
Collage with photos of Maka Sanadze, digital print on wood 
46.6 x 36.2 cm
© Tolia Astakhishvili

Tolia Astakhishvili, to love and devour
Tolia Astakhishvili
Tolia Astakhishvili

to love and devour, 2025
Plastic, permanent marker, plastic tube, sink
375 x 367 cm
Courtesy the artist, Nicoletta Fiorucci Foundation and LC Queisser, Tbilisi, Cologne
Photo: Tolia Astakhishvili Studio 
 

to love and devour, 2025
Plastic, permanent marker, plastic tube, sink
375 x 367 cm
Courtesy the artist, Nicoletta Fiorucci Foundation and LC Queisser, Tbilisi, Cologne
Photo: Tolia Astakhishvili Studio 
 

Tolia Astakhishvili, war on my plate II, 2025
Tolia Astakhishvili
Tolia Astakhishvili

war on my plate II, 2025
PET plastic, chalk, acrylic paint, graphite, ink
40 x 30 x 4 cm
Courtesy the artist
Photo: Tolia Astakhishvili Studio

war on my plate II, 2025
PET plastic, chalk, acrylic paint, graphite, ink
40 x 30 x 4 cm
Courtesy the artist
Photo: Tolia Astakhishvili Studio

Tolia Astakhishvili, Tensile Child (All of a sudden), 2019-2021
Tolia Astakhishvili
Tolia Astakhishvili

Tensile Child (All of a sudden), 2019-2021
Papier maché, pen, pencil, oil, acryl 
60 x 70 cm
© Tolia Astakhishvili
Photo: Jens Ziehe

Tensile Child (All of a sudden), 2019-2021
Papier maché, pen, pencil, oil, acryl 
60 x 70 cm
© Tolia Astakhishvili
Photo: Jens Ziehe

Katharina Murschetz
T:+43-1-525 00-1400
F:+43 1 52500-1300
katharina.murschetz@mumok.at


Katharina Kober
T:+43-1-525 00-1309
F:+43 1 52500-1300
katharina.kober@mumok.at

Published on January 11, 2026