
© Ian Douglas
© Ian Douglas
Starting form the workshop Critical Joy, where Keith Hennessy and Peaches collaborate for the first time that way, a performance will come into being in close encounter with painting, sculpture, dance, pop and their hybrids. It will consider collaborative practice, mass group scores, the duet as a debate or disagreement … In other words: cabaret spectacle meets time- and site-based situation/happening/trip. Party songs, endurance scores, poetry. Choreography, sculpture and music as expanded social practices where politics and art and party and friendship motivate action.