Jule Flierl

In a „vocal Voodoo“ with the aria Che farò senza Euridice the soloist Jule Flierl challenges the historical heritage of Western culture. The opera Orfeo ed Euridice by Christoph Willibald Gluck, premiered 1762 in Vienna, is broken up, the famous aria dissected and – in dialogue with the expressivity of painting – synchronized with gestures of classical dance. Fractions, pauses and repetitions question the sublime nature of the opera without neutralizing its emotional power. Flierl, an expert in connecting singing and the dancing body, fascinates with the delicacies of her own form of vocal dance.