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Wednesday, October 21, 2026, 7 pm

mumok cinema
Kate Millet: Three Lives

mumok cinema | Kate Millett: Three Lives

mumok cinema
Kate Millett: Three Lives
Wednesday, October 21, 2026, 7 pm

 


Three Lives (1971), the only completed film by Kate Millett, was made in a moment of transition. Her debut book, Sexual Politics (1970), had made her famous overnight as a spokesperson for the feminist movement. With Three Lives, she attempted to redirect the spotlight to ordinary women and to redefine herself as an artist. This screening of the film will be introduced by Sam Huber, who will consider it in relation to Millett’s sculpture Terminal Piece (1972). Both works emerged from her experiences in New York’s avant-garde art world, and both expressed her desire, on the heels of Sexual Politics, “to bring change into being.” 

 

Program
Kate Millett, Three Lives, 1971, 70 min
Introduction by Sam Huber

Sam Huber is a senior editor at The Yale Review, a lecturer of English at Yale, and a critic whose essays have appeared in Bookforum, The Nation, The New York Review of Books, and other publications. They are writing a biography of Kate Millett.

The program takes place in the context of the exhibition Terminal Piece.
 

Admission to the program at mumok cinema is free, online-registration for a free event ticket is required. 
Please note that admission is only possible with a pre-ordered, free ticket, there is no box office.
 

Videostill mit drei Personen, die nebeneinander am Sandstrand sitzen und auf das Meer blicken; links daneben steht der weiße Schriftzug „THREE LIVES“. / Film still showing three people seated side by side on a sandy beach facing the ocean, with the white text “THREE LIVES” displayed beside them.
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Videostill mit drei Personen, die nebeneinander am Sandstrand sitzen und auf das Meer blicken; links daneben steht der weiße Schriftzug „THREE LIVES“. / Film still showing three people seated side by side on a sandy beach facing the ocean, with the white text “THREE LIVES” displayed beside them.
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Kate Millett, from: Three Lives, 1971, Courtesy, © Sophie Keir & Documentaire sur grand écran

Videostill von an den Strand rollenden Wellen mit dem eingeblendeten weißen Text „A WOMEN’S LIBERATION CINEMA PRODUCTION“. / Film still of waves rolling onto a beach with the white overlaid text “A WOMEN’S LIBERATION CINEMA PRODUCTION”.
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Kate Millett, from: Three Lives, 1971, Courtesy, © Sophie Keir & Documentaire sur grand écran

Videostill einer Mauer mit einer einfachen Zeichnung aus drei verbundenen Strichfiguren; darunter erscheint der weiße Schriftzug „MALLORY“. / Film still showing a wall with a simple drawing of three connected stick figures, with the white text “MALLORY” displayed below.
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Kate Millett, from: Three Lives, 1971, Courtesy, © Sophie Keir & Documentaire sur grand écran

Schwarz-weißes Filmbild einer sitzenden Person in einem Innenraum, die eine Hand an das Kinn legt; im Hintergrund sind Holzmöbel und Haushaltsgegenstände sichtbar. / Black-and-white film still showing a seated person indoors with one hand resting at the chin; wooden furnishings and household objects are visible in the background.
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Kate Millett, from: Three Lives, 1971, Courtesy, © Sophie Keir & Documentaire sur grand écran

Filmbild einer einzelnen Person an einem Sandstrand vor dem Meer; im rechten unteren Bereich steht der eingeblendete Schriftzug „LILLIAN“. / Film still showing a single person standing on a sandy beach facing the sea; the text “LILLIAN” appears in the lower right area of the image.
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Kate Millett, from: Three Lives, 1971, Courtesy, © Sophie Keir & Documentaire sur grand écran

Schwarz-weißes Filmbild einer Gruppe von vier Personen auf einem Steg oder einer Plattform am Wasser; im Hintergrund sind Uferbebauung, Schilf und mehrere Gebäude zu sehen. / Black-and-white film still showing a group of four people seated on a dock or platform by the water; buildings, reeds, and shoreline structures are visible in the background.
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Kate Millett, from: Three Lives, 1971, Courtesy, © Sophie Keir & Documentaire sur grand écran

Videostill einer am Sandstrand sitzenden Person vor dem Meer; über dem Oberkörper ist der weiße Schriftzug „ROBIN“ eingeblendet. / Film still showing a person seated on a sandy beach in front of the ocean, with the white text “ROBIN” superimposed across the upper body.
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Kate Millett, from: Three Lives, 1971, Courtesy, © Sophie Keir & Documentaire sur grand écran

Körniger Videostill einer Person, die auf einer erhöhten Plattform hinter einem schwarzen Metallgeländer sitzt und die Arme auf die obere Stange legt; die Szene ist schwach beleuchtet und wirft deutliche Schatten auf die Wand im Hintergrund. / Grainy video still showing a person seated on a raised platform behind a black metal railing, resting both arms on the top bar; the scene is dimly lit and casts pronounced shadows onto the wall behind.
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Kate Millett, from: Three Lives, 1971, Courtesy, © Sophie Keir & Documentaire sur grand écran