Detail | mumok

1966

Ono, Yoko

White Chess Set - Schachfigurenset

These principles are diametrically opposed to the idea of Fluxus art, and this led some Fluxus artists to refer to and reinterpret chess.

1966

Ono, Yoko

White Chess Set - Stuhl 2

These principles are diametrically opposed to the idea of Fluxus art, and this led some Fluxus artists to refer to and reinterpret chess.

1966

Ono, Yoko

White Chess Set - Stuhl 1

These principles are diametrically opposed to the idea of Fluxus art, and this led some Fluxus artists to refer to and reinterpret chess.

1966

Ono, Yoko

White Chess Set - Tisch

These principles are diametrically opposed to the idea of Fluxus art, and this led some Fluxus artists to refer to and reinterpret chess.

1966

Ono, Yoko

White Chess Set

These principles are diametrically opposed to the idea of Fluxus art, and this led some Fluxus artists to refer to and reinterpret chess.

1966

Ono, Yoko

White Chess Set - Ersatzschachfigurenset B

These principles are diametrically opposed to the idea of Fluxus art, and this led some Fluxus artists to refer to and reinterpret chess.

1966

Ono, Yoko

White Chess Set - Ersatzschachfigurenset A

These principles are diametrically opposed to the idea of Fluxus art, and this led some Fluxus artists to refer to and reinterpret chess.

1964

Watts, Robert

In Case The Grass Fails

He saw art as a great experiment, finding the same drive to question concepts of art in the work of Dick Higgins, George Brecht, Nam June Paik, and other Fluxus artists. As a co-founder of the legendary Yam Festival, Robert Watts became a key figure in the Fluxus movement.

1958 - 1963

Paik, Nam June

Klavier Intégral

“The piano is a taboo, it must be destroyed.” Korean born Fluxus artist Nam June Paik shocked the German middle classes in 1963. ; “The piano is a taboo, it must be destroyed.” Korean born Fluxus artist Nam June Paik shocked the German middle classes in 1963.

2007

Höfer, Candida

Museum Moderner Kunst Stiftung Ludwig Wien II

Höfer took her pictures of the mumok back in 2007, in an exhibition titled “Concept, Action, Language”, where works of Fluxus, Pop and Concept Art exemplified the demise of classical conceptions of art.