
Installationsansicht / Installation view
Agnes Fuchs. Her Eyes were Green
Foto: Klaus Pichler, © mumok
Installationsansicht / Installation view
Agnes Fuchs. Her Eyes were Green
Foto: Klaus Pichler, © mumok
Installationsansicht / Installation view
Agnes Fuchs. Her Eyes were Green
Foto: Klaus Pichler, © mumok
Installationsansicht / Installation view
Agnes Fuchs. Her Eyes were Green
Foto: Klaus Pichler, © mumok
Installationsansicht / Installation view
Agnes Fuchs. Her Eyes were Green
Foto: Klaus Pichler, © mumok
Installationsansicht / Installation view
Agnes Fuchs. Her Eyes were Green
Foto: Klaus Pichler, © mumok
Installationsansicht / Installation view
Agnes Fuchs. Her Eyes were Green
Foto: Klaus Pichler, © mumok
Installationsansicht / Installation view
Agnes Fuchs. Her Eyes were Green
Foto: Klaus Pichler, © mumok
Installationsansicht / Installation view
Agnes Fuchs. Her Eyes were Green
Foto: Klaus Pichler, © mumok
Agnes Fuchs
Poem #4/2. DTU Output Driver / (Example of coding, 5.5n-5.6n), 2020/22
Acrylic on canvas, 180 × 130 cm
Courtesy of the artist
© Agnes Fuchs / Bildrecht, Wien 2022
Agnes Fuchs
Acess to Floating Mother Board / (based on INPUT Circuit), 2018
Acryl auf Leinwand / Acrylic on canvas
155 × 125 cm
Courtesy of the artist
© Agnes Fuchs / Bildrecht, Wien 2023
Agnes Fuchs
Électronique I, 2017
Videostill, Full HD, dimensions variable
Courtesy of the artist
© Agnes Fuchs / Bildrecht, Wien 2023
Agnes Fuchs
Électronique I, 2017
Videostill, Full HD, dimensions variable
Courtesy of the artist
© Agnes Fuchs / Bildrecht, Wien 2023
Agnes Fuchs employs painting, videos, and installations as means to reconfigure the scientific and technological instruments and processes that paved the way for contemporary digital technologies. Operating instructions, functional descriptions, and manuals for oscilloscopes, computers, power supply units, or measuring devices serve as the departure point for her work. By analyzing the cultural implications of these communication media, her artistic practice intervenes in a historical field as well as the afterimages it continues to produce today.
Fuchs uses and transforms her source material—not only the technological devices themselves but also their prevalent, disseminated forms. She creates depictions of images that are stored and circulate (often unconsciously) in collective memory. The materiality of painting counters the digital simulacrum or virtuality of circulating images and narratives with a sensory physical experience.
Curated by Franz Thalmair