Avant-garde and historicity have traditionally been understood as strict opposites. The avant-garde “overcomes” the fetters of history, thus reconciling art and life in an unmediated way. Any attempt to historicize avant-garde movements of whatever kind has to be aware of the implicit contradiction that what is historicized never...

How are corporate and alternative practices linked today – from company branding to artistic practices to community-making efforts? What’s the corporate alternative?

On Thursday, March 3, 2016, 19:00, we invite you to the opening of Boy, Psyche, and Taboo. Vienna Actionism and Early Vienna Modernism & HAWSER / HOFER

After his studies at the arts academies in Berlin and Düsseldorf, Ull Hohn (1960–1995) moved to New York to attend the Whitney Independent Study Program in 1987. Engaging with current theoretical debates and cultural issues, his work from the late 1980s and early 1990s frequently invokes questions of gender and homosexuality, as well...

Free admission to the opening of Painting 2.0, We Pioneers & Pakui Hardware on Friday, June 3, 2016 at 7 p.m.

David Joselit moderates a panel discussion with Caroline Busta, Lynne Cooke, and Sebastian Egenhofer to mark the opening of the Exhibition Painting 2.0

Event in presence of David Jourdan, Maximilian Geymüller and Tanja Widmann

In a „vocal Voodoo“ with the aria Che farò senza Euridice the soloist Jule Flierl challenges the historical heritage of Western culture

In a „vocal Voodoo“ with the aria Che farò senza Euridice the soloist Jule Flierl challenges the historical heritage of Western culture

Under the direction of Peter Stamer, Willens works out Nietzsche’s seminal text Über Wahrheit und Lüge im außermoralischen Sinne